Wednesday, August 19
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Paris Calling

“Can you make my home look like a really great hotel?” is a query interior decorators get a lot these days. But a few years ago, in Palm Beach, where the designer David Lucido had recently concluded a restaurant project, an acquaintance approached him with a more unusual request. She wanted, it seemed, a bar “just like the one at Le Bilboquet,” a spot she adored. Lucido was eminently well-qualified for the job, given that he was the one who’d designed the interiors of, well, Le Bilboquet.

“Then the client said, I want to entertain in a space that has the feel of a hotel in Paris,” Lucido recalled. As soon as he saw the capacious two-story contemporary with its “good bones and lovely architectural details,” inspiration for the most atmospheric of bar-libraries struck. He revisited the materials he’d used at Le Bilboquet while re-interpreting its French maritime mid-century aesthetic in a way he found better suited to a domestic space.

For instance, the bar of Le Bilboquet is wrapped in nickel; for the new project, Lucido decided to clad the client’s bar in a patinated steel by the same fabricator. A set of cherry wood bar stools in the style of Jean Prouvé, acquired at auction, add warmth to the metal. The walls were paneled in dark wood; to dispel their heaviness, Lucido deployed a trompe-l’œil-ish technique that both lightened the paneling and gave the space a youthful feel. Across from the bar is a seating area comprised of a white sofa by Otto Schulz, the great German-born designer, and chairs by Jean-Michel Frank. 

There’s an elegant formality to the room: Lucido, a bit tongue in cheek, says he isn’t opposed to a bit of discomfort in the name of beauty. (He doesn’t believe entertaining spaces should be too lounge-y, TV rooms and pool houses excepted.)

And speaking of pool rooms, the owner was so pleased with her new bar-library, that she then asked Lucido to carry on. So it was that he tackled the pool room. Yes, it is full-on lounge-y, with a pair of custom wood-framed sofas, after the iconic board sofa by the mid-century designer Bøge Mogensen, which Lucido upholstered in a red-striped outdoor fabric from CNC Milano. 

Strikingly, he re-worked an elaborate Gothic mantelpiece into a thing of spare beauty Flanking the mantelpiece was a wall of boulders that he felt wouldn’t have been out of place in a medieval tavern. After scraping away the faux paint and cleaning the room up, he proceeded to decorate it in a style that’s quietly Mediterranean. “The furniture is humble,” he says, “and that’s the point. I want people to feel as though they’re on a yacht.” 

By and large, Lucido’s changes were decorative, yet they demonstrate what a difference a well-chosen piece of antique furniture can make. Lucido, who divides his time and his practice between Palm Beach and New York, is partial to the vintage shops in the former. 

A grand entertaining room is the first space guests see upon entering. A painting by Alex Katz above the mantlepiece strikes a light-hearted note.

“Palm Beach has such a great market for vintage pieces that we were able to source almost everything locally,” he says. Among his most spectacular local finds is the Italian mid-century Sputnik chandelier that hangs over a travertine pedestal table in the entrance hall. The table lends a grounding sense of solidity to the airy double-height space while the chandelier telegraphs urbane, mid-century elegance.

A grand room for entertaining lies immediately beyond. It’s anchored by an Italian mid-century sofa in a lush deep red, a sheepskin chair by Gösta Jonssen, and an iconic Togo chair in blue velvet – all serving as a colorful, sympathetic foil for the baby grand piano behind them.

 Of the red sofa he says, “We wanted something sculptural and eye-catching in a shape that would be easy for guests to move around. Also, it’s a sensuous, feminine piece.” Since it’s the first space that guests see from the entrance hall, he conceived the room to be a bit of a wow.  A painting by Alex Katz above the mantelpiece strikes a light-hearted note. 

Elsewhere in the room Lucido deployed Paolo Buffa armchairs, their upright elegance providing the perfect counterweight to the slouchy Togo lounger. “It’s about balance,” says Lucido. Balance – and adding just the right amount of Parisian chic.

David Lucido, Designer

Photography by Ori Harpaz

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